Raphael Dudler
Swiss digital publisher & domain investor

Everyone gets angry. It becomes a problem when it takes the wheel — when a day, a conversation, or a relationship gets decided by a feeling that passes in minutes. Most people were simply never shown what to do with it. There is no shortage of noise about anger, and very little that is calm, practical and actually usable in the moment it matters.

That is the gap Angerix was built to fill.

Angerix is calm, practical help for anger. It offers two things: something to do the instant anger hits — free, no sign-up, no barrier, because no one should meet a paywall mid-flare — and a way to understand your own anger so it stops catching you off guard. The programme is organised around six recognisable types — the sudden flare, the slow simmer, the grudge that won't let go, the swallowed kind, the sense of injustice, and the hurt underneath — each with a plan built for that specific anger.

It is not therapy. It is not a pill. There is no hocus-pocus. Just tools that work, in a space designed to lower the temperature rather than raise it.

Calm on purpose.

Like every project I operate, Angerix began as a domain. Angerix.com — clear, memorable, and honest about what it offers before a single word is read. Some domains deserve to become projects rather than assets for sale. This is one of them.

Because in a time when so much of the web is built to provoke, agitate and inflame, building something that helps people calm down felt like the more useful thing to do.

The wave always breaks.

angerix.com

It will not end wars. It will not solve the world's political problems. But great hospitality achieves something that is often underestimated.

It brings people together.

People from different nations. Different cultures. Different religions. Different backgrounds. For a few precious hours, they share the same space, the same table, the same experience. The best hosts understand this responsibility. They know that hospitality is not simply about serving food and drinks. Anyone can place a plate on a table. True hospitality goes much further.

Great hosts serve generosity.

They serve warmth. They serve friendship. They create places where people can relax, reconnect and feel genuinely welcome. The finest establishments do not merely satisfy hunger. They create memories. They create moments of peace. Moments of happiness. Moments worth returning for.

When guests leave and immediately make another reservation, something extraordinary has happened.

Their time was well spent. Their money was well spent. Their trust was rewarded. A place of fulfillment was created. The very best hosts understand this.

They live it. They breathe it. They dedicate their lives to it.

For more than three decades, I had the privilege of working within this industry. I have seen excellence. I have witnessed dedication. I have watched extraordinary people devote themselves to creating unforgettable experiences for complete strangers.

I know this business. I know how difficult it is. And I know how rarely true excellence appears. That is why HIGH END taste & place was created.

Not as a marketing exercise. Not as a popularity contest. Not as an industry networking club. And certainly not as a commercial rating scheme.

HIGH END taste & place is something much simpler.

It is a thank you.

A sincere and deeply felt thank you. A recognition reserved for those rare establishments that elevate hospitality into an art form. Places where excellence is not performed but lived. Places where guests become friends. Places where people leave happier than they arrived.

Unlike many awards, HIGH END taste & place does not exist to please anyone. It does not exist to follow trends. It does not exist to manufacture prestige. It exists to recognize it. When I encounter a place that truly deserves recognition, it is awarded.

Nothing more. Nothing less.

Perhaps these establishments cannot heal the world. Perhaps they cannot bring lasting peace to humanity. But for a few hours, within their walls, they create a world built on harmony, kindness, respect and human connection. And in a time when those things seem increasingly rare, that may be more valuable than most people realize.

Thank you.

hetp.restaurant

I first encountered W. T. Falscher in 2022.

Since then, I have represented the artist publicly, built and maintain his digital presence, manage communications with collectors and art enthusiasts, coordinate inquiries and acquisitions, and serve as the primary point of contact for those interested in his work. This entire operation is conducted through the online office known as the Ministry of Good Taste.

The Ministry of Good Taste is not a gallery in the traditional sense. It is not an institution. It is not an authority. And yet it intentionally borrows the language and appearance of one. That irony lies at the heart of many of Falscher's works.

Who decides what is valuable? Who decides what is good taste? Who decides what deserves attention? And why do so many people accept those decisions without question? These themes appear throughout numerous conceptual and net-art projects created by the artist.

Among them is waitingpage.com, a work that transforms one of the internet's most overlooked spaces into a conceptual artwork. What most people regard as empty digital real estate becomes part of the artistic statement itself.

Others, such as buythe.world, push these ideas even further by confronting viewers with an uncomfortable question: if everything can be commercialized, branded, traded and owned, where does that process ultimately end?

The works are often provocative. Sometimes humorous. Occasionally uncomfortable. But never accidental.

Every project invites viewers to pause and reconsider assumptions they may have accepted for years without reflection. That is what makes conceptual art powerful. It does not tell people what to think. It encourages them to think.

As representative of W. T. Falscher and operator of the Ministry of Good Taste, my role is straightforward. I provide the infrastructure. I maintain the platforms. I facilitate conversations. And I ensure that collectors, institutions, journalists and interested visitors can engage directly with the artist's ideas and works.

The artworks challenge convention. The Ministry provides access. Together they form an ongoing exploration of value, perception and the strange realities of the world we have collectively created.